Fan poll: Top 5 COHEED AND CAMBRIA songs

Coheed and Cambria are a band that have nurtured and developed a unique identity across more than two decades of music-making and world-building. On the one hand, fans have gravitated towards the act’s uncanny ability to cross-pollinate post-hardcore heft with exquisitely spacey prog, yearning emo and a dash of headbangin’ Eighties pop-metal for good measure. But then again, the band’s enduring appeal has never been just about the music.

Even dating back to the early days, Claudio Sanchez and the rest of the Nyack, New York-formed outfit have likewise been charting out epic storylines that mix sci-fi, fantasy, romance, politics and more. Many fans would argue the deep lore behind the group’s broader Amory Wars and Vaxis sagas rival the biggest blockbuster franchises.

But what’s been the best song Coheed have crafted thus far? And is it because of the riffs, or a high-stakes story beat? With nine full-length releases behind them — and a 10th album to come in 2025 — we asked Revolver readers which Coheed and Cambria cut is their greatest feat yet. These were the top five vote-getters.

“Welcome Home”

Coheed and Cambria were bred to make you bang your head. For proof, take “Welcome Home,” a dramatically metallic stomp-out from 2005’s Good Apollo, I’m Burning Star IV, Volume One: From Fear Through the Eyes of Madness.

Sounding something like Zeppelin’s “Kashmir” draped in a weed-stinkin’ sleeveless jean jacket, the song has got Sanchez pinch-squealing the fuck out of his double-neck SG ahead of both he and co-guitarist Travis Stever going full shred-mode for back-to-back solos.

All of that no doubt contributed to this becoming a playable track on Rock Band — though sports-minded gamers of a certain vintage probably remember “Welcome Home” as a heavy standout on the Madden NFL 06 soundtrack.

“The Willing Well II: From Fear Through the Eyes of Madness”

Few songs about the prospect of burning in hell sound as jaunty as the second part of Good Apollo, I’m Burning Star IV, Volume One’s “The Willing Well” suite — the tune is practically grinning ear-to-ear, between its gum-soled shuffle beat, bright-skied acoustic fingerpicking and fantastical guitar melodies.

The song — and indeed the album — is one of Coheed’s wildest storytelling gambits, homing in on a conversation between the meta-referential writer of the Amory Wars saga and his 10-speed bicycle, which happens to be possessed.

Ludicrous in scope, but expertly rendered in execution.

“Delirium Trigger”

While it’s been quipped that in space, no one can hear you scream, we’re thinking Sanchez’ signature, sinewy singing voice can cut through just about anything. For instance, take the way he’s forever powering through “Delirium Trigger,” a darkly-swung standout from Coheed and Cambria’s debut album, The Second Stage Turbine Blade.  

Indeed, Sanchez’ lungs put on an impressive display in this song, but a suffocating dread pervades his lyrics. A spacecraft is invaded. Systems are shutting down. And Sanchez pays homage to the greats when he injects Alien vibes into a line about a “parasitic cyst” that starts “coming up and out of your chest.”

“Gravity’s Union”

Saddle up, friends, because “Gravity’s Union” is going to take you on a bumpy and extremely uncomfortable journey.

Perhaps the emotional zenith of Coheed’s The Aftermath: Descension, the band propel “Gravity’s Union” through several high-tension moments marked with a melancholy, multi-layered heaviness — a blues-djented mid-section goes especially hard.

Without spoiling too much, Sanchez’ heart-wrecked narrative involves bad crashes, betrayals, miscarriages and death. While grim and outright spiritually deflating, “Gravity’s Union” soars out as one of the band’s finest moments.

“In Keeping Secrets of Silent Earth: 3”

No secret here: Coheed fans love the title track to 2003’s In Keeping Secrets of Silent Earth: 3.

The song is one of the band’s earliest prog epics, swirling from dove-soft eBow melodies towards a chunked and scraped metal swing, then towards dramatic key changes and a crashing finale. The world-building lyrics present a battle raging on across an infectious, eight-minute arrangement.

Coheed manned their battle stations early on with unstoppable songcraft — “In Keeping Secrets of Silent Earth: 3” remains a major part of their setlists to this day.

Amory warsClaudio sanchezCoheed and cambriaFeatureMusic